Conversations with William Maxwell collects thirty-eight interviews, public speeches, and remarks that span five decades of the esteemed novelist and New Yorker editor's career. The interviews collectively address the entirety of Maxwell's literary work--with in-depth discussion of his short stories, essays, and novels including They Came Like Swallows, The Folded Leaf, and the American Book award-winning So Long, See You Tomorrow--as well as his forty-year tenure as a fiction editor working with such luminaries as John Updike, John Cheever, Eudora Welty, Vladimir Nabokov, and J.D. Salinger. Maxwell's words spoken before a crowd, some previously unpublished, pay moving tribute to literary friends and mentors, and offer reflections on the artistic life, the process of writing, and his Midwestern heritage. All retain the reserved poignancy of his fiction. The volume publishes for the first time the full transcript of Maxwell's extensive interviews with his biographer and, in an introduction, correspondence with writers including Updike and Saul Bellow, which enlivens the stories behind his interviews and appearances.

One of the most important works ever written on dressage, "Breaking and Riding" is essential reading for the serious dressage enthusiast. In this work, the result of a lifetime spent training horses, James Fillis (1834-1913) clearly explains his theories and methods, starting with the basics of breaking--lungeing, work in hand, and first mounting--and progressing to advanced work, including canter pirouette, tempi changes, piaffe, and passage. Throughout the work, Fillis always returns to his basic principle: The horse must be "correctly balanced and light in forward movements and propulsion, in order that the rider may obtain the most powerful effects with the least exertion." Fillis was an apprentice to a student of the legendary trainer Francois Baucher. In this book, while expressing admiration for Baucher, Fillis also explains in detail the ways in which he believed Baucher was mistaken in some of his methods.